Cecilia Rizzetto is a permanent guest at the Bibiena Theatre in Mantua, at Palazzo Tè and at the Teatro Olimpico in Sabbioneta. The lyric repertoire is accompanied by the chamber, baroque and sacred repertoire.
Her many collaborations with various ensembles and associations (including Dimostrazioni Armoniche, Ricercare Ensemble, Madrigalisti Estensi, Ensemble La Morsure) as well as with choral groups from the national territory.
Music & Opera
``Among the pleasures of life, music is second only to love. But love itself is music.``
Among the debuted roles:
Eurydice – Music (Orfeo, C. Monteverdi)
First Witch (Dido and Aeneas, H. Purcell)
Zingaretta (Zingaretta, L. Leo)
Serpina (La Serva Padrona, G.B. Pergolesi)
Serpina (La Serva Padrona, G. Paisiello)
Elisetta (Il Matrimonio Segreto, D. Cimarosa)
Dirindina (Dirindina, D. Scarlatti)
Grilletta (Lo Speziale, by F.J. Haydn)
Despina (Così fan tutte, W.A. Mozart)
Fanny (La Cambiale di Matrimonio, G. Rossini)
Sofia (Il Signor Bruschino, G. Rossini)
Isabella (L’inganno felice, G. Rossini)
Gilda (Rigoletto, G. Verdi)
Valencienne (La Vedova Allegra, F. Lehar)
Bubikopf (Der Kaiser von Atlantis, V. Ullman)
Some of her main concerts:
2013 – Directed by Luigi Azzolini, the “Lauda per la natività” by Ottorino Respighi
2014 – Directed by Franco Pavan, “Vespro di Santa Lucia” by Francesco Cavalli
2015 – Directed by Sigiswald Kuijken, Cantata BWV57 “Selig ist Der Mann” by J.S. Bach
2016 – Directed by Alberto Rasi, “Membra Jesu nostri” by Buxtehude
2017 – With the AmareMantova Association, “La cambiale di matrimonio” by G. Rossini
2018 – Directed by Luigi Azzolini, “Stabat Mater” by Arvo Pärt
2019 – With the AmareMantova Association, “L’inganno felice” by G. Rossini
Music & Opera
``Among the pleasures of life, music is second only to love. But love itself is music.``
Cecilia Rizzetto is a permanent guest at the Bibiena Theatre in Mantua, at Palazzo Tè and at the Teatro Olimpico in Sabbioneta. The lyric repertoire is accompanied by the chamber, baroque and sacred repertoire.
Her many collaborations with various ensembles and associations (including Dimostrazioni Armoniche, Ricercare Ensemble, Madrigalisti Estensi, Ensemble La Morsure) as well as with choral groups from the national territory.
Among the debuted roles:
Eurydice – Music (Orfeo, C. Monteverdi)
First Witch (Dido and Aeneas, H. Purcell)
Zingaretta (Zingaretta, L. Leo)
Serpina (La Serva Padrona, G.B. Pergolesi)
Serpina (La Serva Padrona, G. Paisiello)
Elisetta (Il Matrimonio Segreto, D. Cimarosa)
Dirindina (Dirindina, D. Scarlatti)
Grilletta (Lo Speziale, by F.J. Haydn)
Despina (Così fan tutte, W.A. Mozart)
Fanny (La Cambiale di Matrimonio, G. Rossini)
Sofia (Il Signor Bruschino, G. Rossini)
Isabella (L’inganno felice, G. Rossini)
Gilda (Rigoletto, G. Verdi)
Valencienne (La Vedova Allegra, F. Lehar)
Bubikopf (Der Kaiser von Atlantis, V. Ullman)
Some of her main concerts:
2013 – Directed by Luigi Azzolini, the “Lauda per la natività” by Ottorino Respighi
2014 – Directed by Franco Pavan, “Vespro di Santa Lucia” by Francesco Cavalli
2015 – Directed by Sigiswald Kuijken, Cantata BWV57 “Selig ist Der Mann” by J.S. Bach
2016 – Directed by Alberto Rasi, “Membra Jesu nostri” by Buxtehude
2017 – With the AmareMantova Association, “La cambiale di matrimonio” by G. Rossini
2018 – Directed by Luigi Azzolini, “Stabat Mater” by Arvo Pärt
2019 – With the AmareMantova Association, “L’inganno felice” by G. Rossini
